Wednesday, November 11, 2009
Up
Film’s New Adventure
Pixar’s Defense of Animation
Dorothy Sayers and the American Faust Film
How a British Detective Novelist Can Help Us Understand an American Film Obsession
Semiotic Superheroes
On the verge of a new kind of visual storytelling.
Stegasaurus!
Some heavy spade-work into the magick of the classic noir.
The Three Versions of Batman
Have the Nolan Brothers been reading Borges?
The Matrix, American Beauty, and Fight Club as Retellings of Pink Floyd’s The Wall
A Sneak Preview from You Do Not Talk About Fight Club: I Am Jack’s Completely Unauthorized Essay Collection
Revolution as a Gala Dinner and a Game
A close, detailed viewing and extended discussion of the context, plot, and themes of Bertolucci’s controversial masterwork.
You Do Not Talk About Fight Club: I Am Jack’s Completely Unauthorized Essay Collection. A new collection edited by Metaphilm publisher Read Mercer Schuchardt with a foreword by Chuck Palahniuk. Paperback, 224 pages, from Benbella Books. Click here for a sneak preview . . .
Ross Douthat nails it on the head this crassmas season: “Avatar” is Cameron’s long apologia for pantheism — a faith that equates God with Nature, and calls humanity into religious communion with the natural world.
One of the most stunning pieces of fan-criticism of Star Wars in the entire galaxy: Why The Phantom Menace was so unspeakably bad, and why the pro… proto...protagonize...protogo, uh, main character, is non-existent. Worth every minute of the ten years it took to produce this review.
To understand the mind behind Inglourious Basterds, you need to know what he’s been watching again and again and again.
Former advertising man Michael Bay returns with this summer’s big hit, and possibly the most artistic movie ever filmed. Eight years ago, Metaphilm launched with a piece on Michael Bay’s artistic style in Pearl Harbor, little realizing it was an advertisement for a yet-to-be-released political thriller.
Someone with way too much time on their hands… like someone else we know.
From the “You can take the boy out of Fight Club, but you can’t take the Fight Club out of the boy” department.
Ira Glass discloses the mysteries of good storytelling.
Mark Plotinsky Reconfirms
The Big Wazowski
What the Wizard of Oz Can Teach Us About The Economic Crisis
Is Rinko Kikuchi the Japanese Louise Brooks?
We told you this already about Fight Club and The Matrix
The Curious Case of Forrest Gump
Eagle Eye On The Gaza Strip
Robert McKee Explains Synecdoche, NY
My History of Violence
A Movie On Your Phone? Get Real.
Indiana Jones and the Deadly Blather
Kaufman Strikes Again
Politics as Cinema, 2008
Quantifying The Analysis of Dukes of Hazard
Another Disney Sex Movie?
By the Ladies For the Ladies
‘X-Files’ Movie Tanks at Box Office
If Joe Eszterhas Can Do It…
The Rabbit Hole Gets Deeper
The “Real” Cinematic Geneaology of the Bat-Man