Sunday, May 04, 2008
The Dreamers
Revolution as a Gala Dinner and a Game
A close, detailed viewing and extended discussion of the context, plot, and themes of Bertolucci’s controversial masterwork.
Revolution as a Gala Dinner and a Game
A close, detailed viewing and extended discussion of the context, plot, and themes of Bertolucci’s controversial masterwork.
A Mental Toolbox for Interpreting a Lynch Film
Twelve tools that can be helpful for appreciating any David Lynch film are offered with specific reference to Inland Empire.
Pilgrim’s Progress
We can find hopeful advice about the American Dream in what an elderly man doesn’t say.
On the Nature of Cinematic Transcendence
An academic take on transcending nature and drama itself, as Kurosawa transcends the limitations of the stage in his adaptation of King Lear.
Beatitude, Flourishing, and Unhappiness
Can a mafioso be happy? An excerpt from The Philosophy of Martin Scorsese.
from The Frodo Franchise
This exclusive excerpt from her new book offers a view behind the cameras and a story about the way old-line production company New Line reacted to the rise of the new media.
The Post-9/11 American Mind
This B-movie helps us address our existential fear and phantasmic preoccupations.
In 24 and Philosophy (Blackwell, 2007), editor Jennifer Hart Reed and others explore the philosophical foundations of this popular TV show, addressing issues including loyalty, knowledge, suspicion, torture, terrorism, and warfare. Download and read our exclusive sample chapter, “How the Cell Phone Changed the World and Made 24”, then get your copy today—and support Metaphilm by purchasing from Amazon through this link.
Shaun of the Dead
Stardust
We Are No Longer Doing Movies With Women In The Lead
Once
The Outlaw Josey Wales
Fahrenheit 451 Misinterpreted
Love Titanic, But in a Rush?
The Surf Also Rises
Ratatouille
Spoilt
300
Jaws
Lady in the Water
Shining—The Feel Good Movie of 1980
Welcome to the new site
Is Sandra Bullock the Cure for the Common Cold?
This Is Not Happening
How Many Great Films Does A Guy Have to Make…
Marshall McLuhan: Film Critic, Political Strategist
A Bright Guilty World