Thanks to readers Timothy Moran and Kenneth Tan for pointing out this fascinating interpretation of the Star Wars corpus from Aidan Wasley at Slate. “Looking at these familiar films with fresh eyes, unfiltered by the lens of nostalgia and sentiment . . . we start to see just how deeply weird they really are. Three decades on, the kids who grew up playing with Luke Skywalker action figures and carrying Princess Leia lunchboxes may be startled to discover that Star Wars is really just one big elephantine postmodern art film.” Self-conscious? Self-referential? Self-absorbed? Check. Still, reading “The Force” as Plot itself certainly does help me to understand some otherwise incomprehensible moments. Wasley even breaks with postmodern convention and manages a passable critique of the film; perhaps we are finally getting beyond the excesses of theory and on to something more useful.
Filming In Tongues
Martin Scorsese’s parents were aliterate
This Again—At A Theater Near You
Bollywood Directors and the “Cut To Switzerland”
The Constant Traveler
Save the Movies from Save The Cat!
Propaganda, A Primer
It may actually be long After Midnight
Dirty Wars playing, then disappearing, at a theater near you
Luke’s Change: An Inside Job
What Does Hollywood Have to Do with Jerusalem?
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Why Are Foreign Films So… Foreign?
Tree of Life Shooting Locations in Smithville, Texas
The Movie Theater is Officially Dead
If 2001 Came Out in 2012
Apple’s New iPhone Best Explained by the Movie The Prestige
You know You’ve Seen Star Wars Too Many Times When…
When Search Engine Metrics Get… Awkward
The Cinema IS the New Cathedral